#  corp(u)s conference proceedings 

 



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Geng, Zhe. “[APHASIA, APHONIA, AND ALTERNATE ARTICULATIONS: Francophone Polyphonic Narratives and Assia Djebar’s L’amour, la Fantasia](/publications/aphasia-aphonia-and-alternate-articulations-francophone-polyphonic-narratives).” : n. pag. Print.



 

 

Geng, Zhe. “[APHASIA, APHONIA, AND ALTERNATE ARTICULATIONS: Francophone Polyphonic Narratives and Assia Djebar’s L’amour, la Fantasia](/publications/aphasia-aphonia-and-alternate-articulations-francophone-polyphonic-narratives).” : n. pag. Print.



 

 

 

- add\_circle do\_not\_disturb\_on Abstract
- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/geng_corpus_romance_sphere.pdf)
- [ picture\_as\_pdfgeng\_corpus\_romance\_spher...](/sites/g/files/omnuum3636/files/romance/files/geng_corpus_romance_sphere.pdf)
 
Gayatri Spivak’s seminal essay, “Can the Subaltern Speak?,” assumes that subaltern speech can be physically produced but cannot be “heard” or circulated without becoming complicit in the task of imperialism. How then, can we understand the inability to...



 

 

- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/geng_corpus_romance_sphere.pdf)
- [ picture\_as\_pdfgeng\_corpus\_romance\_spher...](/sites/g/files/omnuum3636/files/romance/files/geng_corpus_romance_sphere.pdf)
 
 

Bellei, Francesca. “[BORDER QUEERS: WRITING THE GENDER OF BOUNDARIES - A Comparative Reading of Gloria Anzaldúa’s Borderlands La Frontera and Ananda Devi’s Ève de Ses Décombres](/publications/border-queers-writing-gender-boundariesa-comparative-reading-gloria-anzald%C3%BAa%E2%80%99s).” : n. pag. Print.



 

 

Bellei, Francesca. “[BORDER QUEERS: WRITING THE GENDER OF BOUNDARIES - A Comparative Reading of Gloria Anzaldúa’s Borderlands La Frontera and Ananda Devi’s Ève de Ses Décombres](/publications/border-queers-writing-gender-boundariesa-comparative-reading-gloria-anzald%C3%BAa%E2%80%99s).” : n. pag. Print.



 

 

 

- add\_circle do\_not\_disturb\_on Abstract
- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/border_queers.pdf)
- [ picture\_as\_pdfborder\_queers.pdf](/sites/g/files/omnuum3636/files/romance/files/border_queers.pdf)
 
Borders have traditionally been seen as places where people and cultures mix and bleed into one another, even though they exist to prevent exactly such an exchange. How can we reconcile the ambiguous nature of the border as that which forbids entry whilst...



 

 

- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/border_queers.pdf)
- [ picture\_as\_pdfborder\_queers.pdf](/sites/g/files/omnuum3636/files/romance/files/border_queers.pdf)
 
 

Revelle, Anthony. “[CORPS NATURELS ET DÉSIRS ‘CONTRE-NATURE’ : Jeux Narratifs Dans le Roman de Silence](/publications/corps-naturels-et-d%C3%A9sirs-contre-nature-jeux-narratifs-dans-le-roman-de-silence).” : n. pag. Print.



 

 

Revelle, Anthony. “[CORPS NATURELS ET DÉSIRS ‘CONTRE-NATURE’ : Jeux Narratifs Dans le Roman de Silence](/publications/corps-naturels-et-d%C3%A9sirs-contre-nature-jeux-narratifs-dans-le-roman-de-silence).” : n. pag. Print.



 

 

 

- add\_circle do\_not\_disturb\_on Abstract
- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/arevelle_-_silence_01.pdf)
- [ picture\_as\_pdfarevelle\_-\_silence\_01.pdf](/sites/g/files/omnuum3636/files/romance/files/arevelle_-_silence_01.pdf)
 
Cette communication vise à interroger une œuvre en ancien français du XIIIe siècle, le *Roman de Silence*, au regard des questionnements actuels sur le genre et la sexualité. Ce roman met en scène les aventures d'une jeune fille noble élevée comme un garçon...



 

 

- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/arevelle_-_silence_01.pdf)
- [ picture\_as\_pdfarevelle\_-\_silence\_01.pdf](/sites/g/files/omnuum3636/files/romance/files/arevelle_-_silence_01.pdf)
 
 

M’Barek, Asma. “[ÉCRITURE DU CORPS ET ETHIQUES DU CARE DANS RU DE KIM THÚY](/publications/%C3%A9criture-du-corps-et-ethiques-du-care-dans-ru-de-kim-th%C3%BAy).” : n. pag. Print.



 

 

M’Barek, Asma. “[ÉCRITURE DU CORPS ET ETHIQUES DU CARE DANS RU DE KIM THÚY](/publications/%C3%A9criture-du-corps-et-ethiques-du-care-dans-ru-de-kim-th%C3%BAy).” : n. pag. Print.



 

 

 

- add\_circle do\_not\_disturb\_on Abstract
- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/asma-harvard-paper.pdf)
- [ picture\_as\_pdfasma-harvard-paper.pdf](/sites/g/files/omnuum3636/files/romance/files/asma-harvard-paper.pdf)
 
D’origine vietnamienne, née à Saigon en 1968 et arrivée à Montréal à l’âge de dix ans avec les boat people, Kim Thùy a conquis un large public grâce à son premier roman *Ru* (2009). La narratrice, Nguyễn An Tịnh, y évoque la façon dont sa famille et elle...



 

 

- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/asma-harvard-paper.pdf)
- [ picture\_as\_pdfasma-harvard-paper.pdf](/sites/g/files/omnuum3636/files/romance/files/asma-harvard-paper.pdf)
 
 

Godard, Marianne. “[LA TRANSGRESSION COMME PLÉNITUDE DANS LA PHILOSOPHIE DANS LE BOUDOIR DE SADE](/publications/la-transgression-comme-pl%C3%A9nitude-dans-la-philosophie-dans-le-boudoir-de-sade).” : n. pag. Print.



 

 

Godard, Marianne. “[LA TRANSGRESSION COMME PLÉNITUDE DANS LA PHILOSOPHIE DANS LE BOUDOIR DE SADE](/publications/la-transgression-comme-pl%C3%A9nitude-dans-la-philosophie-dans-le-boudoir-de-sade).” : n. pag. Print.



 

 

 

- add\_circle do\_not\_disturb\_on Abstract
- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/marianne_godard_-_sade.pdf)
- [ picture\_as\_pdfmarianne\_godard\_-\_sade.pd...](/sites/g/files/omnuum3636/files/romance/files/marianne_godard_-_sade.pdf)
 
Publié au lendemain de la Terreur, *La Philosophie dans le boudoir* prend l’idéologie révolutionnaire et confronte ses idées telles que la liberté ou l’égalité au réel et au corps. Il s’agira de montrer comment le corps et le langage sont pour Sade intiment...



 

 

- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/marianne_godard_-_sade.pdf)
- [ picture\_as\_pdfmarianne\_godard\_-\_sade.pd...](/sites/g/files/omnuum3636/files/romance/files/marianne_godard_-_sade.pdf)
 
 

Garroté, Nicolas. “[LIBER, GASTER, CLYSTER : La Littérature à L’estomac Chez Mme de Sévigné et Montesquieu](/publications/liber-gaster-clyster-la-litterature-l%E2%80%99estomac-chez-mme-de-sevigne-et).” : n. pag. Print.



 

 

Garroté, Nicolas. “[LIBER, GASTER, CLYSTER : La Littérature à L’estomac Chez Mme de Sévigné et Montesquieu](/publications/liber-gaster-clyster-la-litterature-l%E2%80%99estomac-chez-mme-de-sevigne-et).” : n. pag. Print.



 

 

 

- add\_circle do\_not\_disturb\_on Abstract
- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/ngarrote_corpus_romance_sphere.pdf)
- [ picture\_as\_pdfngarrote\_corpus\_romance\_s...](/sites/g/files/omnuum3636/files/romance/files/ngarrote_corpus_romance_sphere.pdf)
 
On dit communément, pour évoquer une lecture frénétique et passionnée, qu'on avale ou qu'on dévore un livre. À l'âge classique, on appelle « nourriture » ce que nous appelons aujourd'hui éducation : c'est que les livres nourrissent autant l'esprit que les...



 

 

- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/ngarrote_corpus_romance_sphere.pdf)
- [ picture\_as\_pdfngarrote\_corpus\_romance\_s...](/sites/g/files/omnuum3636/files/romance/files/ngarrote_corpus_romance_sphere.pdf)
 
 

Carpenter, Olivia. “[NATHALIE SARRAUTE’S TROPISMES AND THE METAPHOR OF TISSU](/publications/natalie-sarraute%E2%80%99s-tropismes-and-metaphor-tissu).” : n. pag. Print.



 

 

Carpenter, Olivia. “[NATHALIE SARRAUTE’S TROPISMES AND THE METAPHOR OF TISSU](/publications/natalie-sarraute%E2%80%99s-tropismes-and-metaphor-tissu).” : n. pag. Print.



 

 

 

- add\_circle do\_not\_disturb\_on Abstract
- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/tropismes_and_the_metaphor_of_tissu_romance_sphere_version.pdf)
- [ picture\_as\_pdftropismes\_and\_the\_metapho...](/sites/g/files/omnuum3636/files/romance/files/tropismes_and_the_metaphor_of_tissu_romance_sphere_version.pdf)
 
When Nathalie Sarraute depicts a knitting woman in her 1932 novel *Tropismes*, a figure “silent and apart, her head bowed modestly, counting her stitches under her breath” (31), I argue that she points to such a woman as a means of thinking through ideas...



 

 

- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/tropismes_and_the_metaphor_of_tissu_romance_sphere_version.pdf)
- [ picture\_as\_pdftropismes\_and\_the\_metapho...](/sites/g/files/omnuum3636/files/romance/files/tropismes_and_the_metaphor_of_tissu_romance_sphere_version.pdf)
 
 

Redman, Charlee. “[THE FRENCH WARS OF RELIGION AND THE DISEASED, DISFIGURED, AND MONSTROUS BODY](/publications/french-wars-religion-and-diseased-disfigured-and-monstrous-body).” : n. pag. Print.



 

 

Redman, Charlee. “[THE FRENCH WARS OF RELIGION AND THE DISEASED, DISFIGURED, AND MONSTROUS BODY](/publications/french-wars-religion-and-diseased-disfigured-and-monstrous-body).” : n. pag. Print.



 

 

 

- add\_circle do\_not\_disturb\_on Abstract
- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/redman_corpus_romance_sphere.pdf)
- [ picture\_as\_pdfredman\_corpus\_romance\_sph...](/sites/g/files/omnuum3636/files/romance/files/redman_corpus_romance_sphere.pdf)
 
In this paper I analyze a corpus of works, primarily verse, published during and in the aftermath of the French Wars of Religion (1562–1598). This “corpus” displays a markedly corporeal, bodily aspect: its authors conceive of the violent factional...



 

 

- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/redman_corpus_romance_sphere.pdf)
- [ picture\_as\_pdfredman\_corpus\_romance\_sph...](/sites/g/files/omnuum3636/files/romance/files/redman_corpus_romance_sphere.pdf)
 
 

Watson, Rachel Morris. “[WRITING REVENANTS: Corporealizing Memory in the Francophone Theater of Wajdi Mouawad](/publications/writing-revenants-corporealizing-memory-francophone-theater-wajdi-mouawad).” : n. pag. Print.



 

 

Watson, Rachel Morris. “[WRITING REVENANTS: Corporealizing Memory in the Francophone Theater of Wajdi Mouawad](/publications/writing-revenants-corporealizing-memory-francophone-theater-wajdi-mouawad).” : n. pag. Print.



 

 

 

- add\_circle do\_not\_disturb\_on Abstract
- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/writing_revenants_rmw.romance_sphere.pdf)
- [ picture\_as\_pdfwriting\_revenants\_rmw.rom...](/sites/g/files/omnuum3636/files/romance/files/writing_revenants_rmw.romance_sphere.pdf)
 
The corporeality of language is primordial in theater: the intersection of body and text is essential to performance. In Western theater traditions, from Ancient Greek tragedy to contemporary French and Francophone political theater, the body, more...



 

 

- [ descriptionPublisher's Version](https://romancesphere.fas.harvard.edu/files/romance/files/writing_revenants_rmw.romance_sphere.pdf)
- [ picture\_as\_pdfwriting\_revenants\_rmw.rom...](/sites/g/files/omnuum3636/files/romance/files/writing_revenants_rmw.romance_sphere.pdf)
 
 

 



 

 

 

 

 

 

 



 

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