Renaissance

THE FRENCH WARS OF RELIGION AND THE DISEASED, DISFIGURED, AND MONSTROUS BODY
Redman, Charlee. “THE FRENCH WARS OF RELIGION AND THE DISEASED, DISFIGURED, AND MONSTROUS BODY”. Working Paper. Web. Full TextAbstract

In this paper I analyze a corpus of works, primarily verse, published during and in the aftermath of the French Wars of Religion (1562–1598). This “corpus” displays a markedly corporeal, bodily aspect: its authors conceive of the violent factional conflicts of the Wars of Religion as “intestinal,” a disease like a plague tearing apart the civic and political “body” of France from within. The “troubles” were often described as a poison or venom infecting the flesh and blood of France and its citizens or as a monstrous form, like wolves, attacking them. Writers from both the Catholic and Protestant factions frequently utilized this corporeal rhetoric, including Pierre de Ronsard in his Discours des misères de ce temps (1562), Agrippa d’Aubigné in his long epic poem Les Tragiques (1616), and the authors of numerous contemporary polemical pamphlets like the anonymous Discours contre les Huguenots, auquel est contenue et déclaré la source de leur damnable religion (1573). Unlike their predecessor Rabelais, who accorded a primary place to the body and all its functions in his grotesque satires, for these authors the body is always diseased and dying. By studying the place of the body and discourses of disease in literary texts surrounding the Wars of Religion in conjunction with early modern theories about the physical body and the body politic, this paper will analyze the images of plague and disease so prevalent during this turbulent period and what they can tell us about contemporary understandings of the Wars of Religion.

Author Bio

Charlee Redman is a PhD student at the University of Maryland-College Park interested in early modern literature and culture and the intersections between literature and science.

tastes and temptations

Tastes and Temptations: Food and Art in Renaissance Italy

March 1, 2011

by John Varriano
University of California Press, 282 pp., $19.50

PETER LIEBERMAN

In 1505 the Florentine painter Andrea del Sarto, at a banquet held by the artistic and gastronomic confraternity known as ‘the Company of the Cauldron,’ presented a scale model of the Florence Baptistery to his fellow diners. Architectural models were becoming common at the beginning of the sixteenth century, but what made del Sarto’s achievement so spectacular was that his miniature Baptistery was entirely edible—made from cheese, marzipan, sausage, and various fowl...

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Atlante della letteratura italiana book cover

Atlante della letteratura italiana, vol. II: Dalla Controriforma alla Restaurazione

May 5, 2012

a cura di Sergio Luzzatto e Gabriele Pedullà (vol. II a cura di Erminia Irace)
Einaudi, 946 pp., ill., 85.00 €

MARCO ARESU - Tra geografia e storia

“Prometto di non scrivere nessuna storia letteraria, nessun capitolo di storia letteraria, prima di avere letto per intero tutte le opere prese in considerazione e di ignorare tutte le precedenti storie letterarie a meno di essere certo che chi le ha scritte ha letto veramente tutte le opere che ha preso in considerazione”. Con queste parole Remo Ceserani concludeva un suo...

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Galileo's Muse: Renaissance Mathematics and the Arts  Book Cover

Galileo's Muse: Renaissance Mathematics and the Arts

May 5, 2012
by Mark Peterson
Harvard University Press, 338 pp., $28.95
 

PETER LIEBERMAN

 
Very often it takes the work of an outsider, with a fresh pair of eyes, to make an original contribution to any academic field—especially a field such as Italian Studies, whose tentacles reach into any imaginable branch of the humanities or sciences. Mark Peterson: a physicist, mathematician, and astronomer, is precisely that much needed outsider to the traditional dominion of italianisti. Peterson’s recent Galileo’s Muse offers a...
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In Your Face: Professional Improprietes and the Art of Being Conspicuous in Sixteenth-Century Italy book cover

In Your Face: Professional Improprietes and the Art of Being Conspicuous in Sixteenth-Century Italy

October 9, 2012

by Douglas Biow
Stanford University Press, 246 pp., $19.95

DAN TURELLO

The ideals of grace and ease were ones that came to find great success and cultural currency during the Renaissance, in great measure thanks to the writing of Baldassarre Castiglione’s Book of the Courtier, in which he describes the virtues of sprezzatura, the art of concealing the efforts behind one’s striving, so as to make it appear facile. The Galateo, by Giovanni della Casa, with its notion of proper manners and correct conduct specific to all occasions, is also a product of this time....

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Il telescopio di Galileo. Una storia europea

Il telescopio di Galileo. Una storia europea

May 22, 2013

by Massimo Bucciantini, Michele Camerota, Franco Giudice
Einaudi, 306 pp., ill., € 25.00

ELOISA MORRA

“Spesso – scriveva Aby Warburg – “il buon Dio si annida nei dettagli”. Ed è in due dettagli dei quadri sottostanti che è racchiusa la metamorfosi d'uno strumento che avrebbe smosso e rovesciato il mondo come lo si era conosciuto dalle origini fino al primo decennio del Seicento: il telescopio. Sono entrambi di mano di Jan Brueghel il Vecchio, che li dipinse a distanza di un decennio.

Il Paesaggio con vista del castello di...
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